I was born on the 13th of February. For most people, that's a bad number. For me, it was always an invitation to look at what's on the other side.

That's what I do. By day as a Communications Specialist and Brand Manager for private banks, social institutions, public agencies. I build systems that hold. Identities that mean something.

By night, I follow a different instinct. Project Nr. 13 is my place where strategy ends and translation begins. Where music becomes image. Where the unknown becomes visible.

I start with a track. I put it on loop, sometimes for hours, until I can feel what it's trying to say. Then I try to say it back. In colour. In composition. In image. What you see here are final versions. Behind each one are twenty others that didn't make it.

Art has always been my reference point. Not as decoration, but as a way of thinking. Dalí taught me that the subconscious is a design tool. Basquiat that raw energy and precision can coexist. Warhol that culture and commerce aren't opposites, they're in constant conversation. KAWS, Haring, Arsham, Murakami — all of them working at the edge of what art is allowed to be.

I spend a lot of time in museums. Renaissance, modern, contemporary. I'm not loyal to an era, only to the feeling a work gives you when it lands.

I also spend a lot of time on dancefloors. Techno, DnB, Hardstyle, Trance. The genre matters, but never more than the energy in the room. The people around you. The scene behind it all. Whether it's a bunker where there's nothing but raw concrete, steel and bass, or a festival stage that looks like it came from another universe, with lasers, video walls and fire. What I'm looking for is the same thing. A room that commits completely to a feeling.

I used to be introverted. Quietly observing from the edges. That changed, slowly, then completely. Now I'm someone who genuinely wants to know what drives people. Not the surface version. The real one. What keeps them up at night. What they're building toward.

Raised in Bern, a city that teaches you that depth takes time. Now in Zürich, where precision and sharpness set the standard.

Both live in me. Both show up in my work. So does the humour. So does the perfectionism. So does the loop that keeps playing until something finally feels right.